So…good news it would seem. The Blood Brothers have decided that staying split up isn’t for them and have got back together. Yes, Seattle’s art-punk-hardcore-splatter merchants are to return; playing FYF Fest in Los Angeles, in August.
Hailing from Bellingham, Wild Throne are vibrant, technicoloured chaos. This chaos though, has for the most part, some structure – it doesn’t feel totally thuggish, smashing things for the sake of smashing them; there’s determination, relentless pace and twists and turns at every chord, every drum beat and every sung/screamed/whispered word.
Taking their name from a ’68 Camaro that Scogin’s father once owned, ’68, are a somewhat departure from The Chariot’s math-rock, spasmodic shape-throwing contortions. Don’t think though for one minute that ’68 are at the opposite end of the spectrum – the raw, jagged bruised scrape is ever present, yet in a more stripped down, ramshackle form.
Hey everyone, Girl Band are back! Remember France 98, the great mini-album/EP thing they released at the beginning of last year? Well, they’ve only gone and recorded another song! Whatever the fuck is going on during Lawman, I have no clue, but Girl Band know and that malevolent, curled-lip sneer that is present during the full 6 minutes and 13 seconds of this unique sound could strip paint.
As the squealing, drawled feedback of opener A Good Idea Realised begins to bleed through, you can almost imagine the Baby G lot straining at their chains, aching to be free. The blood-frothing punk charge hits with the force of a truck; riffs are tearing and utterly demented, whilst the vocals are harsh hair-ripping, teeth-gnashing soundbites of frustration and madness..