Almost every review of Love Triangles, Hate Squares by The Computers has probably started off pointing out the differences between this and their debut, This Is The Computers. It’s glaringly obvious mind you, so there does seem reason to mention it. Gone are the screams, almost whittled away to nothing. Gone is the frantic shredding, with the hardcore-punk tendencies thrown from the train. Instead, hello soul – hello 60s organ-sounds – hello rock ‘n roll – hello Chuck Berry!