As The Bronx famously said, “New Year, New Me…” let’s kick things off by looking at the upcoming tracks, singles and random noises that are being kicked around at the moment as we stage dive headfirst into the devil that is 2018 – see you in the pit, bring your shinpads, a packet of biscuits, thermos flask and your all Rush mixtape.
My top 2 will not surprise some people and it’s mostly business as usual. Some returning bands and truly outstanding work all round from nearly everyone that’s released an album this year that I’ve enjoyed. Even albums that didn’t make the top ten (sorry Pissed Jeans, you’re in at 11…) were stonking great. Enjoy.
Where some artists create with paint, feelings or whatever, Dodge Meteor create with riffs and by create I mean splatter everywhere in a turbo-blast of raw, bleeding power. Guitars howl and morph into each other through a colourful spectrum of bending chaos, whilst the crunching percussion hammers a thick, marching beat of dread.
Apparently, Evolve or Die, the new EP from Brighton’s Tigercub, was influenced by a short story from Argentinian author George Louis Borge, called The Library of Babel. This tale is about a universe that consists of a library full of a series of hexagonal rooms containing the bare necessities for human survival.
Brilliantly self-described as “Drunk Wikipedia Farming” (aka, the kings of concept-core) the Stockholm/Illinois/Toronto trio that is Down I Go still exist as a band. Despite them all living in different countries, the simple matter of distance, time and space isn’t going to stop them from creating music.
Surely one of the best kept secrets in the underground music scene is CrazySane Records, right? This little Berlin-based label, run by Chris Breuer of ear-bothers HEADS. has been quietly releasing some great records, split 7″ and EPs over the last few months and slowly building up a name for themselves.
From the squealing feedback of opener Stuck, Donnie Willow definitely have issues that would very much like to vent and they do so with swirling rage. The bass on this thumps and hums with gurgling ferocity, whilst guitarist Arthur Piddington, switches from Tubelord-esque vocal wails, to raging yelps of frustration.