If the production on this was some form of mineral, it would be a mudslide; a cruel, filthy, flow that never lets up until everything is submerged in grime. The guitars let off an ear-squealing hiss of disdain throughout the 35 minute running time of Gold, whilst the bass rumbles and belches thick, slabs of mulch and the drumming is a tribal hammering of bloodied determination.
Stretched taunt over a 31 minute running time, Graf Orlock, brutalize and pulverise their instruments through an apocalyptic barrage of seething grind. They also reference tons and tons of other films as well (Arnie gets some terrific shout-outs) nothing is safe and neither are you from the Orlock attack.
UXO is a project formed by Steve Austin of metal/noise/haters of everything, Today is the Day and Chris Spencer of Wreck-merchants, Unsane with the help of bassist Aarne Victorine and drummer Patrick Kennedy (who jammed with Austin in the band Taipan). UXO isn’t a comfortable listen by any means – it twitches and snaps like a hair-trigger temper on an unpredictable mob Capo.
When reading the song titles on Seraphim, you can tell there’s a serious amount of dissatisfaction and boiling anger present within Polonium. This is a very good thing. Before The Austerity Program infected the world with their cynicism, guitarist Justin Foley, bassist Thad Calabrese and a drum machine existed as the entity known as Polonium.
The kind of punishment drummer Hayden Menzies inflicts on his poor kit makes you wonder if he’s got some boiling hatred burning inside for his particular piece of percussion. You see, on METZ’s first album, cunningly titled METZ, he is the frontman of the band – or rather, his drum kit is – thumping out a barbaric and unrelenting cacophony from start to finish.